Posts Tagged ‘eurovision’

Well-earned victory by Switzerland. It was a good song. Croatia I was a bit more surprised at. Also that France scored so many jury points even that Graham Norton said his voice broke for the jury final. How can these scores be accurate when the technical quality was notably low?

Disappointing night for the UK. After 2022, we known people will vote for us. We just need a good song and it just wasn’t a banger. The staging was very innovative. But it was also in a toilet an I don’t want to look at a toilet for three minutes.

It was odd that Israel were allowed to compete with Russia have been excluded from the competition when both countries are accused of committing war crimes. People have expressed surprise about Israel getting so much of the public vote but I think it is the nature of voting. Israel’s actions are highly polarising. 66% of people think they should stop committting genocide, according to YouGov, but 13% think they should continue. That’s ten million people in the UK. That’s a lot of votes. And you can’t unvote Israel, not really tactically vote against them given countries give points to ten or so countries and there were 23 options to choose from.

Ironically, Eden Golan lives in Russia. Also ironic that Graham Norton commented on our Loreen is such a good performer and then she sat on a chair the whole time.

Good to see Finland in the final, and Ireland not only in the final but coming 6th. I’ll finish by allowing Nemo to sing us out.

Elina laughed when I said Sam Ryder was up to second in the bookie’s odds. Possibly because every year the UK surges in the odds only for our hopes to be cruelly smashed. But not this year!

It really makes you think what could have happened if we had sent good songs this whole time. Instead, we sent James Newman, Electro Velvet and Engelbert Humperdinck.

Let’s enjoy the song one more time:

In another step towards normality, we were able to hold our Eurovision party this year, albeit with only a couple of friends and far more COVID testing. This is good because Eurovision is really a thing you need to do with other people. We also did our own voting and our top six came out as:

Russia, 19
Malta, 16
France, 15
Finland, 14
Ukraine, 13
Iceland, 11

France came 2nd, Iceland came 4th, Ukraine came 5th, Finland came 6th, Malta in 7th and Russia in 8th. So, we were on the mark with most of it. But Switzerland took us by surprise. It was a joke entry, right? And, Italy one, which also did not make it onto our scoreboard.

I didn’t like the songs when I listened through before the contest but the night itself won me over. A few of them will make it onto my Eurovision Spotify playlist: Italy (Zitti e Buoni), Sweden (Voices), Finland (Dark Side), Serbia (Loco Loco), Cyprus (El Diablo), and maybe Iceland (10 Years). I’ve also added Romania (Amnesia) which did not make the final.

Every year we throw a Eurovision party. However, as I was at a Mark Knopfler gig this year, we had to forego our usual party. This was a shame as it was a reasonably strong year. Here are my grades:

Malta, A
Albania, D
Czech Republic, B+
Germany, C
Russia, E
Denmark, D
San Marino, E
North Macedonia, D
Sweden, B-
Slovenia, C+
Cyprus, C
Netherlands, C
Greece, D
Israel, E
Norway, B
UK, C
Iceland, B-
Estonia, C-
Belarus, A
Azerbaijan, C
France, C
Italy, D
Serbia, D+
Switzerland, B-
Australia, E
Spain, C-

Since then, I’ve had Spirit in the Sky stuck in my head and having had a big Eurovision geek-out session with Kim, it’s clear this should have been the winning song.

Here was the winner from The Netherlands that wasn’t as good but was an okay song.

A disappointing year for the UK, coming dead last. Especially as it then turned out they had calculated the points incorrectly and then took even more off us.

Venla’s first Eurovision. She was not excited about it.

Nor were the contestants. This year’s contest didn’t produce much in the way of songs I have found burrowed inside my head. I still have a fair few knocking around on my playlist from last year, so it was disappointing to see a less-exciting array this year.

At least Romania gave us some rap yodelling.

Decent year for Britain. We were on the left-hand side of the scoreboard for quite a long time.

But maybe that is a sign that we have let out expectations drop too long. We have won it five times. Great commentary by Graham Norton, as ever.

We’re only five days away from Eurovision 2017. A timeless competition designed to unite the people of Europe together (after what Germany did). Here is what you don’t need to know about this year’s competition.

Lucie Jones is singing for Great Britain

It sounds like she is about to kick into the main upbeat exciting song at any point. But she never does.

Norma John is singing for Finland

And it’s worse than Britain’s entry.

Italy are strong favourites

They’re at less than evens on Betfair. Francesco Gabbani is singing Occidentali’s Karma for them. It’s in Italian and it is a pretty fun song. Of course, Russia were at evens for Eurovision 2016 and failed to secure the victory. But far fewer people hate Italy.

Also, Italy has a dancing gorilla. And no, I don’t think it’s a Chabris & Simons experiment.

Remember that for a short few minutes during Eurovision 2016, the UK was on the left-hand side of the scoreboard.

Jamala wins Eurovision 2016. Photo credit: Thomas Hanses (EBU).

This will be the last post about Eurovision for a while. I promise. Probably. I want to address this issue though because a lot of people think Eurovision is a joke and there is no point us trying because we can never win. This isn’t the case.

We’re really good at Eurovision

Britain’s recent performances in Eurovision are not indicative of our past performance. A look at the all-time winners list puts it in perspective.

We are the third most successful country in Eurovision ever. It’s only Sweden’s two recent victories of Loreen in 2012 and MÃ¥ns Zelmerlöw last year that have pushed them ahead of us. The UK and Ireland between them have cleaned up. We’ve also hosted it a record number of times as we have helped out poorer countries by hosting it for them on several occasions.

Good music wins Eurovision

Here are some of our recent scores:

Note that when we are not dragging singers back from the grave, and put a popular band in, we do much better. Blue were already arguably has-beens by the time they entered, and the song was okay and look how much better thet did. Our performance in the votes is correlated to the quality of music we put in.

Sweden, who have been smashing it recently, start picking their song in November. They have a whole music festival to decide on it. They take it seriously: and they win.

Bloc voting isn’t that important

Bloc voting isn’t as important as you might think. The Radio Times have a good write-up of the situation. UCL even published a study showing that while bloc voting has an affect, it is not big enough to prevent a a song winning the contest. Lena’s “Satellite” winning for Germany in 2010 is a good example of this. Germany don’t have many friends, but they still triumphed.

Even if it is, we’re in a bloc

Some would argue that the bloc voting is actual just cultural voting. People like the music of their culture and as their neighbours probably have a similar culture, they are likely to get votes because they share the same music tastes. Whatever the reason, the UK benefits from this.

What country do we give the most points to? Ireland! And who gives us the most points? Yep, it’s Ireland. Our neighbours across the water, France and Belgium, are also some of our most generous donors and god bless Malta who gave this year’s song, that came third from bottom, a full 12 points.

So, Eurovision 2016 is over and Ukraine have won the day. Now that Russia haven’t won, I can start enjoying Sergey Lazarev’s “You Are The Only One” for the quite good song that it really is. There were no obviously rubbish songs this year. I think that is the problem with the semi-final system: it filters out all of the really crazy stuff.

Sweden rocked our world

I thought Sweden did a brilliant job of hosting. It was a little different, and definitely for the better. I am pleased Justin Timberlake performed. Not because I am a big Timberlake fan, but I hope that it will lend a note of legitimacy to the contest that will encourage bigger names to take part, which can only benefit the UK (with our massive stock of big artists).

They also stole the show with the best song of the night…

The UK did not do very well

Alas. It was looking quite good for Joe & Jake when the judges’ votes came in, but the public did not feel the same way. It’s a shame because I think it is one of the better songs we have put up recently.

The new voting system is odd

I think I prefer the old system. The new system does keep the surprise until right at the very end, but then it also makes the rest feel a bit pointless. They have to rush round the other countries, with only one score announcement each and the tedious reminder to get on wit hit. Do they not brief the people giving the scores beforehand so they know to just get on with it?

I was hoping we could make some FiveThirtyEight-style paths to victory which showed how a country was doing compared to how it should have been doing. For example, if Belarus gives us two points and Russia eight points, on the face of it, that would seem to put Russia ahead. But it doesn’t of course, because they would normally give Russia 12 points and us nothing. It would be interesting to model, but the new system makes it impossible (it would have been difficult before anyway).

The public have very different opinions

Poland, who you will remember entered a rubbish song, were rightly at the bottom when the judges’ scores had been set up. Yet when the public vote came in, they were third from top. This happened to them a few years ago when their churning milkmaids were shunned by the British jury but very popular with the British public. This time, on a European-wide scale.

I’ve come round to songs

I initially shunned Laura Tesoro’s “What’s The Pressure” when listening beforehand. However, seeing it in the contest brought it to life.

It’s a fun, upbeat song and I like the retro disco theme. Even more impressive, that girl has moves! Have you tried doing a dance that choreographed while belting out a song like that? It is damn hard to sing and play an instrument at the same time, and I imagine singing and dancing is harder.

Also, Jamie-Lee’s “Ghost” was so bizarre that I can’t get it out of my head.

As Graham Norton pointed out, they clearly had a lot of costume ideas: and liked them all.

Last weekend I published a preview of some of the songs to watch. Well, that’s all changed. I’ve been listening to the songs on Spotify all week and have some new favourites.

Russia

Not a song I want to win. In fact, I’m starting the hashtag #AnyoneButRussia. They are now heavy favourites though. Paddy Power are offering 1.57 on them. 2.0 would be evens (50% shot at winning), so they’re running away with it. The nearest rival is Australia at 11/2.

Australia

They have moved up to second favourite. It’s a good song.

Ukraine

Third favourites. They must be counting on a lot of political sympathies though. The song just isn’t that good. Bold topic, but not great music.

Poland

Poland are having a nightmare! The song I have been singing along to most this week has been Margaret’s Cool Me Down. It’s super-addictive. Great song. The bookies were loving it too.

Then I find out that they picked another song to compete in Eurovision. And it’s shit.

Norway

I’m disappointed Norway did not make it through. Agnete’s Icebreaker is a nice tune.

Malta

Another slower but nice song is Malta. It’s got that nice kick-up.

Conclusion

Obviously, I hope Joe and Jake nail it for the UK. However, as I can’t vote for them, my favourite so far is Amir, representing France. It’s the only song I have been singing as much as Margaret.